Nillekees
Holy Roller, indeed!!!
My legs can't stop rocking while in the meantime the guitars are drilling a whole in the top of my skull. From the inside!
There is so much right with this album that I can only conclude that in the end there simply is nothing wrong. At all. Ever. 💪
Sheer awesomeness.
Favorite track: Black Dirt.
Heavy music’s evolution has always been a murky swamp of sub-genres. So, combining Thin Lizzy’s glistening twin guitar harmonies with Melvins- grade sludge and a hearty dose of proto-metal psych probably shouldn’t sound so revolutionary as it does in the hands of L.A. quartet Deathchant. But theirs is a special, transcendent sound.
Waste, the band’s sophomore album and first for RidingEasy Records, is anything but. The 33-minute, 7-song blast flows seamlessly from song to song, aided by droning segues, while simultaneously slithering between genres and moods. Rumbling noise, chiming guitar melodies, bluesy boogie, NWOBHM thrash, COC grunge and punk fury all rear their head at times, sometimes all at once.
Though you wouldn’t be able to tell by the concise structures and well- crafted songs, a lot of Deathchant’s music is improvised, both in the studio and live. That’s not to suggest their songs are jammy — they’re very tightly organized compositions. But the four musicians have that special musical telepathy that allows them to keep the song structures open-ended.
“Improv is a huge things for us and always has been,” singer/guitarist T.J. Lemieux says. “The musical freedom to look at the other dudes in the band and be able to take things wherever we want to go is magical. I like the feel of flying off the hinges.”
Likewise, the band itself is similarly amorphous in its membership. “We run the band with an open door. No lineup is definitive,” Lemieux explains. On Waste, the lineup is: Lemieux, George Camacho on bass, Colin Fahrner on drums, and John Belino on second guitar.
Waste was recorded live in a rented cabin in the mountains of Big Bear, CA. “We packed a big-ass van and set up in the living room and kitchen,” Lemieux says. “Tracked it live, with overdubs after.” The whole album was recorded over two separate weekends, engineered by Steve Schroeder, who also recorded the band’s 2019 self-titled debut album.
“I’d say it has sort of a DIY LA punk aesthetic,” he adds. “Very ironically going hand in hand with a classic metal vibe: Thin Lizzy, Judas Priest, classic Deep Purple, Uriah Heep and other melodic heavy rock bands.”
Waste will be available on LP, CD and download on June 25th, 2021 via RidingEasy Records.
Recently discovered this band. IF their back catalogue, is as great as this I'll be adding them to my collection.
To my ears they sound like someone has blended early black sabbath with led zepplin's bluesier albums. A much welcome trip to the 70s hard blues heavy metal. welshwizzardd
This searing, four-track split from Bog Wizard (Michigan) and Dust Lord (Colorado) pairs stoner rock riffs with hard fantasy themes. Bandcamp New & Notable Mar 10, 2021
Weedian presents a 56-track chronicle of Mexico's stoner metal and heavy psych scenes, from ’90s forefathers to contemporary wrecking crews. Bandcamp New & Notable Sep 21, 2022
The flac version of this sounds great in my truck... not a crunch, clip or boom to be heard. That, in itself, gets this major points.
This is a lovely combination of early Floyd, U2 and a few San Francisco bands from the '60s with a heavy dose of Helmet tossed in. It's definitely best of breed when it comes to modern psych stuff. Even without a Hammond B3, it gets an easy A+... rick-taylor